View this online gallery to see a collection of lithograph sketches by the late Nelson Mandela featured at a new exhibit at American Tobacco Campus, Jan. 1 - Feb. 26. Be sure to read the transcripts of Mandela's essays for more insight.
Preview the collection by selecting the buttons below, then see the exhibit at American Tobacco Gallery.
Struggle, Freedom, Unity, Nelson Mandela
Struggle, Freedom, Unity, detail
Struggle, Freedom, Unity, detail | Transcript
The Tower, Nelson Mandela
Left, photograph: Grant Watner. Right, photograph: handwritten Mandela essay | Transcript
Mandela's Walk, Nelson Mandela
Photograph: Grant Watner
Photograph: handwritten Mandela essay | Transcript
The Ward, Nelson Mandela
Photograph: Grant Watner
Photograph: handwritten Mandela essay | Transcript
The Tennis Court, Nelson Mandela
Photograph: Grant Watner
Photograph: handwritten Mandela essay | Transcript
The Courtyard, Nelson Mandela
Photograph: Grant Watner
Photograph: handwritten Mandela essay | Transcript
Left, The Cell , Nelson Mandela. Right, photograph: handwritten Mandela essay
The Church, Nelson Mandela
The Window, Nelson Mandela
The Harbor, Nelson Mandela
The Lighthouse, Nelson Mandela
"Mandela: A Long Walk" is a Triangle exclusive, with roots in Durham and Raleigh. The exhibit features work from the art collection of Capitol Broadcasting Company, which owns American Tobacco.
WHAT: "Mandela: A Long Walk" -- Sketches from Mandela's imprisonment, artifacts of a racially divided past
WHERE: American Tobacco Gallery – Crowe Building, 406 Blackwell Street, Durham
WHEN: January 1 – February 26 (daily, 9am– 6pm)
COST: Free
The legacy of Mandela | American Tobacco Campus
These sketches are not so much about my life as they are about my own country. I drew hands because they are powerful instruments, hands can hurt or heal, punish or uplift. They can also be bound, but a quest for righteousness can never be repressed. In time, we broke loose the shackles of injustice, we joined hands across social divides and national boundaries, between continents and over oceans and now we look to the future, knowing that even if age makes us wiser guides, it is the youth that reminds us of love, of trust, and the value of life.
Barbed wire fences and ominous towers became a tragic backdrop to life on Robben Island. At the time of my imprisonment, Robben Island was without question, the harshest most iron-fisted prison in the South African penal system. It was a remote and lonely island outpost for both prisoners and prison staff.
The racial divide on Robben Island was absolute. There were no black wardens and there were white wardens who demanded a master-servant relationship. There were no watches or clocks on Robben Island, we were dependent on bells and warden's whistles and shouts as our time pieces.
In the prison, the towers looked over us throughout the day. In this sketch I have attempted to pull together the two elements that overshadowed our lives for so many years; the towers and the ever-restraining barbed wire. The image shows the harsh reality that reminds me of our sacrifice and endurance, the use of more cheerful colors in the sketch is my way of representing how we feel today.
The guard tower seen in this image marked the corner of the Robben Island prison compound. It was the point at which the dirt road from the stone quarry met the boundary patrol road. We worked the quarries for thirteen years as part of our "hard labor" sentence. It was hard work, but we did not mind, as it meant that we could leave the prison compound and have the "freedom" to walk and talk together on the long road to the quarry. These were invigorating times.
We would feel the wind in our faces, see the birds flying in freedom and smell the eucalyptus blossoms. I remember seeing springboks grazing in the plains.
After a day of relative "freedom" the tower was a grim reminder as we returned to the prison each evening. The conversation between us would usually become less and less as we approached the Tower.
The Tower reminded us of exactly where we were and where we had expected to stay for the rest of our lives. How little we guessed at the great changes that would sweep our country in our lifetime…That in my lifetime I would exchange these prison walls for freedom, not just my freedom, but the freedom of all my country's people, a freedom which has become a symbol for all.
On Robben Island, political and general prisoners were kept well apart. The only place where we could talk and share information with other inmates was in the prison hospital – and that thereby became more than just an infirmary. The hospital I have sketched here served as a secret and vital link between us and the rest of the world. Through the hospital, news about our families, friends, the struggle and every day events outside the prison would trickle through. It became one of the most important lifelines to the outside world.
On arrival at the prison, all new prisoners were sent to the hospital for medical observation. On their arrival one of the political detainees would feign illness and thereby gain access to the same space in the hospital where they would share their news with us.
As time passed the news became less depressing as we realized that the apartheid regime was weakening, that the voice of our struggle was being heard in the outside world and that a great wave of support was growing for all the people of South Africa.
Today I remember the stark hospital with fondness…these memories, like this sketch are filled with joyous colors.
In 1977 forced manual labor was indeed after we maintained a two-year go-slow strike. We asked to do something more useful with our days instead of the monotony of mining lime and stone from the quarries. This action, however, robbed us of our opportunity to exercise, and after much effort we convinced the wardens to allow us to convert the courtyard into a tennis court.
Prior to this the prisoners were marched round and round the courtyard for half an hour every day. We used to walk around the courtyard quickly in single file under the watchful eye of the guards.
Our persistence paid off and we painted the cement courtyard surface to create a traditional tennis court layout. Strangely, Robben Island was the first opportunity for me to play tennis since University. I was by no means an expert, but the exercise was a welcome break from the walks to and from the quarry and round and round the yard.
Being able to exercise one's mind and body through play was all immensely freeing. Playing tennis and attending to my gardening became my two favorite hobbies on Robben Island. It was a strange sensation enjoying such civilized hobbies in such and uncivilized place. It caused me to reflect on the strange and perverse nature of apartheid, where they wrongly thought that one people's freedom could only be enjoyed at the expense and oppression of another.
The courtyard at Robben Island prison was an unfriendly, empty and barren place. It was a somber reminder of where I was. From the beginning of my imprisonment I asked to start a garden in the courtyard, to change this bad looking place. After years of refusing my request, we were finally given permission to plant a small garden on a narrow patch of earth against a wall. Being able to plant and nurture life in this prison courtyard offered me a sense of freedom and satisfaction that is hard to put into words even today. A garden is one of the few things in prison that we could control.
A powerful memory that I have is of a beautiful tomato plant that I coaxed from tiny seed to tender seedling to a strong plant that gave plump ripe red juicy tomatoes. Despite my efforts the plant began to wither and die and nothing I did would heal it. When it died I took it carefully from the soil, washed its roots and buried it in the corner of the garden. I felt sad. It once again reminded me of where I was, and the hopelessness I felt at being unable to nourish other relationships in my life. My wife, my children, my family and my friends. It made me realize the beauty, simplicity and sacred value of family, of loved ones and of friends. I swore to myself that I would never take another human being, their friendship or their love for granted ever again.
Credits
- Producer
- Valerie Aguirre
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